The Companion Piece

Stools and side tables may be modest in size, designed for practicality and to complement their larger counterparts, but they too hold a lot of potential to transform your living space. At Mint, these standout pieces are crafted to shine in their own light, adding both functionality and flair to any room. From providing extra seating to serving as stylish surfaces for decor, they are the unsung heroes of home design.

 

 

Masao (Zhengxiong Rong)

Tsugiki Side Table
‘Tsugiki’ is inspired by Japanese restoration of historical wooden architecture. Beams reclaimed from hundred-year-old farm barns are processed by hand and joined with new wood to create sculptural furniture, giving them a second life while keeping their history.

 

Simone Post

Reclaimed by Nature
Simone explores the dynamic interplay of colour, texture, and print, transforming ordinary textiles into enchanting works of art. Crafted from discarded Dutch wax misprints and waste industrial cardboard tubes, her flower collection will be a playful addition to your home.

 

Christophe Delcourt

ORA Side Table
The contemporary ORA Side Table showcases the best of traditional French craftsmanship. It’s unique, enchanting form enhances the purity of the wood, whilst the amber coloured glass adds a striking and warm aesthetic to any interior space.

 

Duccio Maria Gambi

Subtraction N.1
This piece is made from the process of subtracting material from a given shape transforming the original material into a work composed of two distinct elements: the original and the “new” material, defined by the texture created and colour added during sculpting.

 

IAMMI Studio

Tofu Collection
The “Tofu” collection exemplifies contemporary design with its amorphous seats, benches, and coffee tables. Inspired by natural rock formations, these pieces are surprisingly soft to the touch, crafted from upcycled foam rubber to offer a unique tactile experience.

 

Lukas Cober

New Wave Stool
This elegant sculptural object embodies a movement that on the one hand seems to refer to flowing water, but mostly reflects a fluid process of creation and the flux of motion with which the material was processed into its distinctive appearance. Layer by layer, the fibreglass is applied, shaped and sanded.